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Works born from the creativity of vision. Color, line, and space are not decorative elements, but tools of thought. The chromatic choices are always deliberate. Color does not describe reality; it interprets it, suspends it, and makes it conceptual. The lines, often geometric and sometimes fluid, do more than simply delineate forms: they govern the temporality of the image. Each work engages with different worlds through an almost surrealist, almost metaphysical approach: each image is a vision, each series a chapter. Everyday objects are stripped of their function and reintroduced as cultural symbols. The irony is controlled, never explicit; the surrealism is measured.


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